PAUL'S PERFORMANCES

On my New Years Day show 2015, aboard Seabourn Spirit, the legendary guitarist Carl Verheyen (from Supertramp, and all-round american session-playing legend!) was in the audience. Having enjoyed meeting and chatting frequently to Carl and his friends throughout the week I invited Carl up from the audience to jam on the last couple of songs of my show! He had no idea what we were playing, borrowed Benny's guitar (from the very talented Sea breeze house-band) and as you can see still rocked out! An amazing player, a great night and a brilliant way to start the new year!

This piece is so beautiful, but also really challenging! I actually snapped TWO tremolo arms learning it! Jeff Beck is just one of a kind. If you'd like any help or advice with these crazy techniques, drop a comment!

A brief selection of many styles performed by Paul Anderson live on Cruise Ships in the last year- flamenco, classical, jazz. Full videos in the "Uploads/Video" section on my channel. Please like and subscribe! Thanks!

-- I recorded this video as a demonstration for my pupils at www.altrinchamguitarschool.co.uk to show that the metronome is a really useful tool when practising! For lessons please contact me via the website below. Below are notes from the practise diary I kept. I recommend keeping a diary to chart your progress. It helps you keep track and see how you are progressing. Generally I tried to just stick to two twenty minute sessions per day, occasionally I did more but wanted to show what could be achieved with regular consistent practise over sporadic long practise. -- Start slow - at first learn to understand the riff/idea and how to count it without a metronome. -- Once you understand the riff, learn to play it at a slow, comfortable speed -- Start every day at a speed that is comfortable, then push it until it starts becoming uncomfortable, THEN slow it back down to a speed where you can repeat it comfortably without mistakes or feeling rushed. -- Take your time! As Guthrie Govan says - 'Speed is a byproduct of accuracy' -- Backing track - https://youtu.be/8_L-0bHCLxg Day 1 - Spent an hour or two learning the riff. Once understood, played at 60bpm Day 2 - Session 1 - Moving up 10bpm after 4 or 5 good repeats. 110bpm a bit sketchy. 100 bpm comfortable. Session 2 - Started 80bpm. Up to 120bpm (very sketchy). 110bpm okay, 100bpm very solid. Finished on 90bpm for accuracy. Day 3 - Session 1 - Started at 100bpm. 120bpm sounding pretty nice but not 100% consistent or relaxed. Bounced between 100bpm & 110bpm. Finished on 80bpm for accuracy. Session 2 - Started 100bpm but mainly stayed at 110bpm today. 120bpm Okay. 110 & 110bpm solid & relaxed. finished 90bpm Day 4 - Session 1 - Started 90 or 100bpm (forgot to write this down). Cruised at 120bpm. 130bpm quite messy. Mostly switched between 110bpm & 120bpm. Session 2 - Started 120bpm but messy so went straight back to 100bpm. Built speed up again. 130bpm good. 140bpm pretty good. 150 sketchy but worked! Finished on 120bpm, then 90bpm, then 60bpm for extra accuracy. Day 5 - Session 1 - Felt a bit clunky today. Went from 100bpm to 120bpm quickly. Went up to 140/150bpm but not great so back to 110/120bpm. Finished on 100bpm then 60bpm Session 2 - Actually went really well. Started 110bpm, straight to 120bpm then 130bpm. Managed up to 150bpm - pretty good but not consistent or confident. Grooved a bit on 140bpm then took it down to 130bpm. Finished slowly on 100bpm then 70bpm Day 6 - Got up to 150bpm but everything was clunky the whole of today. Tried to go straight in at 130bpm but didn't work well. Should have gone in slowly and built up. Spent a lot of time bouncing around different metronome markings. In the end did a fair few repeats on 70bpm. Too tired to concentrate today! Day 7 - First session - Better today. Pretty comfortable at 130bpm. Okay at 150bpm. Finished slow. Second session - Even better. I realised I was digging in too much and also tried to think about the phrasing a bit differently. Actually managed several runs at 160bpm and a messy one or two runs at 170bpm. Grooved fairly well at both 140bpm & 150bpm. Finished on 80bpm then 100bpm. Weekend off Day 8 - Session 1 - Started 120bpm. Felt pretty good. Played competently at 140bpm. All way up to 170bpm okay. Finished on 120bpm and 150bpm. Session 2 - Grooved at 160bpm mostly Day 9 - Very busy so only managed one session today. Started 120bpm. Grooved at 140/150bpm and even 160bpm. Managed a few at 170bpm but not very clean. Day 10 - First session - Started 120bpm, then up by 10's to groove at 150bpm, then 160bpm. 170bpm messy. Grooved back at 150bpm, then finished on 130bpm and 120bpm. Second session - Left it way too late. Really tired and aching from a workout. Kept it slow & focused on end lick. Definitely should have done it earlier! Day 11 - Practising with backing track- full speed and slowing it down using YouTube. Day 12 - Achieved goal! Comfortable grooving with backing track at full speed. Pretty happy with today. Day 13 - Just jammed and played solos for fun- no recording or effort today. Day 14 - Plugged pedal boar into Logic ProX and recorded groove to get nicer sound. I hope this has been helpful to anyone wanting to know about using a metronome to develop speed. Any questions just hit me up in the comments! Paul www.PaulAndersonGuitar.com www.instagram/PaulAndersonGuitar www.AltrinchamGuitarSchool.com

This super tight, funky tune by Cory Wong was awesome fun to record! Nick Waldock on bass Alex Hill on keys Matt Brown on drums Paul Anderson on guitar

Live spanish improvisation using a loop player. Please like and subscribe for more! @funkguitar www.paulandersonguitar.com www.instagram.com/paulandersonguitar

An original piece called Gratitude I wrote featuring Tommy Sarosi on bass, Mathew Peacock on guitar, Zach Okonkwo on drums. This piece uses various techniques inspired by the amazing Jeff Beck.

An improvised jam of Bobby Hebb's truly classic song "sunny". Performers- Davide Lufrano Chaves (left) and Paul Anderson (right)

Mr. Green's arrangement of the very cool 'Be Yourself' by The New Mastersounds. Paul Anderson on guitar Nick Waldock on bass Matt Brown on drums Alex Hill on keys